David Bailey's World of Tessellations

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  • Birds - An Introduction
    • Birds 1 - Geometric, One Motif, of a Square
    • Birds 2 - Geometric, One Motif, of a Subdivided Square
    • Birds 3 - Freehand Curves
    • Birds 4 - Geometric, Arcs
    • Birds 5 - Greek Cross
    • Birds 6 - Semi-Neat
    • Birds 7 - Geometric, From Grid
    • Birds 8 - Miscellaneous
    • Birds 9 - Black and White
      • Birds 10 - Miscellaneous
      • Betting Sites Not On Gamstop Uk
  • Birds and Fish - An Introduction
    • Birds and Fish 1
    • Birds and Fish 2
  • Book and Article Reviews - An Introduction
    • Creating Escher-Type Drawings
    • Designing and Drawing Tessellations
    • Designing Tessellations
    • Introduction to Tessellations
    • Minor Books and Articles
    • Parcelles d'infini
  • Bowtie
  • Cairo Tiling
    • 17th-century Jali
    • Acknowledgements
    • Aesthetic Cairos
    • As Architecture
    • As Flooring
    • As Miscellaneous 1
    • As Miscellaneous 2
    • As Miscellaneous 3
    • As Paving
    • As Wall Tiles
    • Bibliotheca Alexandrina
    • Collinearity
    • Colouration
    • Defining a Cairo-like Tiling
    • Defining a Cairo-type Tiling
    • First Photographs
    • In Situ Oddments
    • Link to Type 13 Pentagon
    • Martin Gardner Mystery Resolved
    • Minima to Maxima
    • Miscellaneous
    • Pentagon Confusion
    • Personal Account
    • Pictures of Sightings 1
    • Pictures of Sightings 2
    • Ramzy Omar
    • References
    • Requests/Questions
    • Sightings in Books
    • Six Fallacies
    • Study 1
    • Study 2
    • The Nile Co.
    • Videos
  • Cluster Puzzles
    • Alex D. Palmer
    • Angiolo Logi
    • Countries & Continents
    • Dinosaurs
    • Elspeth Eagle-Clarke
    • Enzo Mari
    • George J. Paulus
    • George Luck
    • Gotz-Peter Reichelt
    • M. C. Escher
    • Margaret H. Richardson
    • Nativity Scenes
    • Noah's Ark
    • Polyominoes/Polyiamonds
    • Simplex
    • Transport
  • Contact
  • Counterchange
  • Designing Tessellations - An Introduction
    • Design 1 - S-Curving a Given Tessellation
    • Design 2 - Subdividing Tiles
    • Design 3 - The Arc Method
    • Design 4 - Grid Filling
    • Design 5 - Human Figure
    • Other People
  • Developments
  • Dimorphic
  • Dogs
  • Essays on 'How Escher Did...' - An Introduction
    • How Escher Did... Black, Grey, and White Effects
    • How Escher Did... Combining Black, Grey, and White with Development
    • How Escher Did... Development
  • Essays on Escher Tables
    • Table 1 - Listing the 448 Prints
    • Table 2 - Listing the 63 Tessellating Prints, Medium Used
    • Table 3 - Listing the 137 Periodic Drawings, with Border Choice
  • Essays on Escher's 137 Periodic Drawings - An Introduction
    • Periodic Drawings 1-30
    • Periodic Drawings 121-137
    • Periodic Drawings 31-60
    • Periodic Drawings 61-90
    • Periodic Drawings 91-120
  • Essays on Escher's 44 Tessellating Miscellany - An Introduction
    • Miscellany 1-20
    • Miscellany 21-44
  • Essays on Escher's 65 Tessellating Prints - An Introduction
    • Prints 1-30
    • Prints 30-65
  • Essays on Tessellation - An Introduction
    • Essay 1 - Examining People's Background
    • Essay 10 - The Computer and its Application
    • Essay 11 - The Sihouette Test - Determining Quality of Motif
    • Essay 12 - To Add a Borderline or Not
    • Essay 13 - Aesthetic and Non-Aesthetic Tessellations
    • Essay 14 - One Motif, Two Views
    • Essay 15 - Are Two (or more) Motifs Easier to CreateThan One?
    • Essay 16 - The Serration Effect
    • Essay 17 - To Highlight an Eye or Not
    • Essay 18 - The Dilution Effect
    • Essay 19 - Pseudo Tessellations
    • Essay 2 - Abilities and Shape Recognition
    • Essay 20 - Best in Class
    • Essay 21 - A Plea for Quality
    • Essay 22 - In Defence of Geometric Life-like Tessellations
    • Essay 23 - Motif Resemblance to Polygon
    • Essay 3 - Motif Choice - Animate or Non-Animate Motifs
    • Essay 4 - Why Certain Animate Motifs are More Suitable than Others
    • Essay 5 - Motif Representation - Typical and Atypical Viewpoints
    • Essay 6 - Categories of Difficulty
    • Essay 7 - Duality of Line
    • Essay 8 - Colouration and Contrast
    • Essay 9 - Complex Tessellations
  • Fish - An Introduction
    • Fish 1 - Geometric and/or Arcs
    • Fish 2 - Freehand Curves
    • Fish 3 - Semi-Neat
  • Houndstooth
    • Book/Article/Web References
    • Definitions
    • History
    • Miscellaneous
    • References in Print 1
    • References in Print 2
    • References in Print 3
    • References in Print 4
  • Human Figures - An Introduction
    • Human Figures 1
    • Human Figures 2
    • Human Figures 3
  • Hypermorphic Tilings
  • Imaginary Creatures
  • Interview With...
  • Johannes Kepler
  • Links
  • M. C. Escher - Apparel
  • M. C. Escher - Bibliography
  • M. C. Escher - Cover Art Books
  • M. C. Escher - Newspapers
  • M. C. Escher - Research
  • M. C. Escher Cover Art - Music
  • M. C. Escher Miscellany
  • My Library - All Else
  • My Library - Articles
  • My Library - Books
  • My Library - By Subject Matter
  • Oldest Extant Tiling Artefacts
  • Parquet Deformations
    • 2-Dimensions
    • Beats to the Bar & Tempo
    • Bibliography
    • Craig Kaplan
    • David Bailey
    • Designing
    • Essays
    • First & Second Generations
    • History
    • Interpolations
    • Inventory of Huff Archive at HfG, Ulm
    • Linear Assemblies
    • Miscellany
    • Other People
    • People
    • Performing Arts Analogies
    • Specific Transitions
    • Tutorial
    • Use of the Term
  • Pavement Tessellations
    • Miscellaneous
    • Patents
  • Penrose Tilings
  • Pentagon Tilings
  • Pentagon Tilings 2
  • Polyhedra
  • Precursors to Escher
  • Publications
  • References
  • Request for Escher and Tessellation Articles
  • Self Similar Tessellations
  • Superlatives
  • Tessellation Artists
  • The Tessellations of...
    • Alain Nicolas
    • Alec Dixon
    • Andrew Crompton
    • Craig S. Kaplan
    • Jinny Beyer
    • John Osborn
    • Makiya Torigoe
    • Makoto Nakamura
    • Maurits Escher
    • Nick Scalfittura
  • Tutorials - Other People
  • Unanswered Escher Questions
  • Update History
  • Where Is...
  • Sitemap
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Subpages

Item
Essay 10 - The Computer and its Application
Essay 11 - The Sihouette Test - Determining Quality of Motif
Essay 12 - To Add a Borderline or Not
Essay 13 - Aesthetic and Non-Aesthetic Tessellations
Essay 14 - One Motif, Two Views
Essay 15 - Are Two (or more) Motifs Easier to CreateThan One?
Essay 16 - The Serration Effect
Essay 17 - To Highlight an Eye or Not
Essay 18 - The Dilution Effect
Essay 19 - Pseudo Tessellations
Essay 1 - Examining People's Background
Essay 20 - Best in Class
Essay 21 - A Plea for Quality
Essay 22 - In Defence of Geometric Life-like Tessellations
Essay 23 - Motif Resemblance to Polygon
Essay 2 - Abilities and Shape Recognition
Essay 3 - Motif Choice - Animate or Non-Animate Motifs
Essay 4 - Why Certain Animate Motifs are More Suitable than Others
Essay 5 - Motif Representation - Typical and Atypical Viewpoints
Essay 6 - Categories of Difficulty
Essay 7 - Duality of Line
Essay 8 - Colouration and Contrast
Essay 9 - Complex Tessellations
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